Live Streaming Broadcasting – LiveU Specials

LiveU specials Streaming Video Live

Get a personal test drive Promotion **Expires Oct 28th, 2019 **

Do you want to make the switch to LiveU? Contact an EAR product specialist today for a personal test drive with the new LU300 HEVC! Contact an EAR product specialist today for complete details or call 800-473-6914.

** Special Pricing and Programs for Schools of Journalism & Broadcasting!!!

More about the New affordable LiveU LU300:

LiveU LU300 front view
  • Highest quality video and lowest delay – even in bandwidth as low as 1Mbps
  • Enlarged 2.2″ display – visible even in bright sunlight conditions
  • JOG controller for easier control of the unit
  • 3-hour internal battery
  • Weighs less than 2 lbs
  • 4 audio channels
  • Stronger CPU for super-fast file upload: Store & Forward, Live & Store
  • Bonds up to 6 connections: Two LTE-Advanced Dual Sim Internal Modems, two external modems, WiFi and LAN
  • Also available as an integrated camera mount (Anton Bauer and V-mount)

Learn more about the LU300

More About LiveU: You may have heard about LiveU products, powerful compact tools that can help you stream like a pro. That’s why the majority of live broadcast content worldwide uses LiveU. Take a closer look in person or virtually and see what it can do to help you get better quality live streams from anywhere – without needing a huge crew or large budget.

With LiveU’s complete family of 3G/4G bonded uplink products, more options are available for live news and event coverage. All LiveU products connect with LiveU’s Central, enabling control rooms to manage multiple incoming video feeds and content simply and effectively from units operating in different locations.

The LiveU product line ranges starts at under $1,000. More about LiveU applications. Contact and LiveU product specialist today at 800-473-6914 an get up and streaming tomorrow!

Checkout their entire line of LiveU products.


Asset Management for Post & Broadcast, MAM, PAM or DAM?

video, media management, cloud, hybrid-cloud, on-premise, services, shared storage, vmware certified

I assume you’re reading this article because you have already decided storing hard drives and camera media in a desk drawer is not a good idea and you’re looking for a better way to manage your content. Time to skip past the many stages of grief related to lost media and awkward file sharing, and move forward with improving the accessibility and uses for your content resources.

Some really good news
With recent advancements in virtualization and cloud resources, the cost and ease organizing your media has taken a quantum leap forward. First let’s agree on some terms for the common types of asset management systems.

Post and broadcast production asset management systems:

  • DAM (Digital Asset Management)
  • PAM (Production Asset Management)
  • MAM (Media Asset Management)

  • In most post and broadcast environments, a Production Asset Management system (PAM) is perfect. For Larger applications or tighter integration with other business systems, a Media Asset Management system (MAM) is a more functional and customizable choice. Digital Asset Manager systems (DAM) can be used for post and broadcast, however MAMs are typically used with DAMs to provide better workflow functionality.

    Secure Sharing & Remote Access
    PAMs, MAMs or DAMs consider secure files sharing with coworkers and clients to be a core feature. Assets can be directly accessed via browsers or other applications, saving everyone time and effort. To minimize bandwidth for these purposes, proxy (low resolution) versions of the files are used with access to the full resolution version for download as needed. This is the single most important issues when determining system hardware and cloud resources.

    Clients requiring remote access or working on mobile devices can also require real-time proxies. In general, the more proxies you need, the more processing you’ll need. If your demands moves beyond a few editors or require real-time proxies, special hardware or dedicated cloud/virtual services may be required (ie: it can get expensive quickly). However the flexibility and benefits may be well worth the extra costs.

    MAMs, Future Proofing & APIs
    For larger applications, MAMs can provide real-time access to data for other business systems. This opens up functionality for ecommerce, traffic, compliance and many other crucial business functions. Communication with other business systems is usually managed through a common application programming interface or “API”. The need for APIs is largely related to customization and real-time data sharing. For systems requiring customization or sharing program data, API is a big feature. If you think APIs will become important for your future needs, this may determine if the extra cost for a MAM compared to a PAM is a good value. If you invest in a MAM, you should confirm the API documentation is well maintained and supported by the manufacturer.

    Ease of Use Is Everything
    Editors don’t like to leave the editing application while they are working. For this reason, PAMs or MAMs that allow editors to access and manage assets from within a workflow application’s user interface are highly valued. To accomplish this, the MAM or PAM asset features appear as a panel or menu option. This is a big time saver as bouncing between applications becomes unnecessary. DAMs don’t usually provide this feature for post and broadcast applications.

    Comparing Systems
    Each asset management system has its strengths, weaknesses and specialized features. There are 100’s of manufacturers, and each have their own market focus. Let’s compare MAMs, PAMs and DAMs from the post production and broadcast perspectives. Below is a brief comparison for each system type.

    PAM (Production Asset Management)
    – Advantages:

  • Work directly inside production editing “panels” (Adobe/Avid/Resolve)
  • Self service secure Access to assets by 3rd parties
  • Cost is inexpensive to moderate compared to DAMs and MAMs
  • Interface and functionality can be fine tuned for post production and broadcast applications
  • Special Features include collaboration and easy of secure sharing
  • – Limitations:
  • Difficult to manage some media types not specific to post production and broadcast
  • Managing archived or near-line media (cloud, disk or tape) may required 3rd party applications
  • May be specific to storage manufacturer (Avid, Editshare, SNS, etc.)
  • Limited in ability to integrate with mission critical business systems
  • Upper limits on size of user base and quantity of media
  • May be editing platform specific (Adobe, Avid, etc.)
  • – Suggested PAM products:
    Editshare Flow, Avid Interplay, SNS ShareBrowser, Facilis FastTracker, ProMax Platform

    MAM (Media Asset Management)
    – Advantages:

  • Provides all features of a PAM
  • Designed to scale to unlimited number of users
  • Interface and functionality can be fine tuned beyond post production and broadcast applications
  • Special Features include high degree of customization and ability to manage enterprise applications
  • Can manage more media types than PAMs
  • Managing on-line, archived or near-line media (cloud, disk or tape) natively supported
  • – Limitations:
  • Cost is relatively more expensive compared to PAMs
  • Managing exclusively static documents can be less efficient than a DAM
  • May be editing platform specific (Adobe, Avid, etc.)
  • – Suggested MAM products:
    Arvato MediaPortal, Square Box Systems CatDV

    DAM (Digital Asset Management)
    – Advantages:

  • General purpose asset management
  • Handles a wide variety of documents and files
  • Usually designed to work in real-time with other business platforms
    – Limitations:
  • Can be difficult to manage some media types specific to post production and broadcast
  • May be limited in ability to integrate with mission critical applications like editing and workflow products
  • requires managing assets outside of post production and broadcast applications
  • – Suggested DAM products:
    MicroSoft Sharepoint, Workfront (formerly AtTask), Adobe

    Which One is Right for My Application? MAM, PAM or DAM?
    – Fear not! There is likely a product off the shelf that’s right for you… but it will take some tweaking.
    If this article helped answer a few questions, it likely created even more. Drilling down on the details of the many manufacturers and options can be the more challenging part of the process. We can help you get it right today while keeping an eye on future trends to protect your investment.

    Give us a call, chat or get a quick quote today!

    Stream Any Audio To Your Cell Phone


    In the category of simple but amazingly functional is a new product set by AudioFetch. Any application that can benefit by personal audio feeds, will love these Wi-Fi broadcasting products!

    General overview

    Entertainment venues, museums, house of worship – really anytime the listener would like to control their own volume level and source – AudioFetch can deliver. Simply purchase once of their audio processors and connect your audio source. The AudioFetch device will encode the audio and deliver via Wi-Fi to any cell phone that is app enabled (Free via iTunes or the android app stores). The audio is broadcasted via multicasting so there is no limit to the number of simultaneous listeners. Encoding boxes with up to 64 inputs are available for multi-lingual or multi source applications (example: sports bar).

    EAR can help guide you through the various options and guarantee you’ll be thrilled with the results, happy listeners! Contact us today via chat, contact form, email or call 800-473-6914.

    More factory fresh details or get a quick quote today!

    P.S. VideoFatch is coming soon…


    Make Live Streaming Profitable!

    Monitize live streaming for entertainment and house of worship HOW

    Boxcast offers the easiest and most complete live video streaming solution that allows any  organization to monetize streaming content (live or on demand). Matched with LiveU’s bonded streaming hardware – you’ll never miss an event date and maximize your revenue.


    • Houses of worship – Collect donations for Live or On-demand
    • Entertainment Venues – Collect Tickets for Live or On-demand
    • Live Concerts – Collect Tickets for Live or On-demand
    Monitize your streaming with BoxCast. Simply schedule your broadcast ahead of time meaning one less thing to keep track of on the day of your event. Your viewers will get a perfectly-sized picture on any device – smartphone, tablet or computer. Plus, there’s no buffering and no annoying ads to distract from your streamed content. Whoa Nellie! tell me more


    Stream Live from Anywhere via 4G celluar network and never miss delivering your content. LiveU supports multiple local cellular networks and available broadband to “bond” together the live stream for seemly redundant bandwidth. In other words, LiveU provides multiple realtime delivery of your stream for maximum bandwidth and fail-safe delivery to your CDN or streaming provider. Make sure your paid event never drops a frame from start to finish or discover creative new business opportunities including At-Home technology. Ask about Monthly specials!

    For a free demo and walk through, contact an EAR product specialist today @ 800-473-6914 or use our chat window for 24×7 messaging.

    Upgrade To The New TriCaster: TC1

    Until March 2018 Get Huge Trade In Value towards the TC1!

    Did you know that most TriCasters have up to $6,000 in trade value towards the newest generation TC1 TriCaster? Contact an EAR product specialist today about this very special time sensitive offer!

    Introducing The Next Generation of NewTek TriCaster: TC1

    If you’ve been waiting for the “next” big thing from Newtek, or really anyone – the wait is over. The TC1 series is a complete production system with 16 inputs, integrated multi-channel Skype calling, that will stream and publish anywhere, all in 4K UHD, 60p, with IP inter-connectivity.
    ** Generous Upgrades for Most Tricasters **

    Snap shot features:

    • Built Entirely around ALL NEW IP based hardware
    • 2RU or 3RU rack mount 16 input switcher
    • 2 control panel to choose from
    • 4x 3G-SDI inputs w/ 1080p 60 support
    • 8x additional 3G-SDI inputs with the NC-1 module
    • 4x 3G-SDI outputs (or 1x UHD quad-link SDI output)
    • 4K UHD support (via NDI or quad-link SDI through the NC-1 input module)
    • 2x SkypeTX channels built-in
    • 2x DDRs, 2x GFX, multiple audio and animation buffers
    • 4x M/Es each w/ 4 keyers
    • 6 Recording channels for Iso or line cut
    • Encoding support for UHD 60p
    • Two independent program outputs
    • Delivery to multiple streaming targets, multi-resolution & multi-bitrate
    • Publish clips to VOD platforms during production
    • Upgrade Specials for existing TriCaster Users!

    Models to Choose from:

    Model Comparison TC1 Base Bundle TC1 Plus Bundle TC1 Max Bundle
    3G-SDI Inputs (combined IP and 3G SDI) 4 4 12 (4+8)
    NC1 Module Included No No Yes
    Redundant Power No Yes Yes
    Interface Size 2RU 3RU 3RU
    Control Surface Size 1.5 Stripe 1.5 Stripe 2 Stripe
    Control Surface Source Keys 14 14 24
    EAR Only ** Includes monitors, training & unlimited support Yes Yes Yes
    Sales Tax Extra? (Let’s talk!) ? ? ?
    Special System Bundle Price $19,995 $24,995 $39,995

    Get A Quick Quote (Or call us! 800-473-6914)

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